Identity is tough. Nailing one down can be incredibly difficult, and people tend to go through a variety of phases in pursuit of an abstract concept that may actually grow to fit them well into old age. When I was thirteen I went swiftly from thinking I should dress entirely in black and adopt an excessively emotional persona almost immediately into wearing blue eyeshadow and neon-bright miniskirts. I oscillated between identities trying to find one.
Identity takes on a number of overlapping forms. Sometimes we find an adequate mixture of factors to construct something that resembles a self. Other times, these identities seem at odds with one another. And other times, the identity does not exist at all.
For me, it has always been complicated.
I went to a liberal college in a liberal city and thus the formation of identity was an almost political process. I began forming my political and social self there and it seemed like if I didn’t I would never again have another chance. I was in a perfect bubble of identity-based community building. If I didn’t adequately form an identity, I would not ever have a community on which to rely.
This process took on multiple forms. I became politically active and formed ideological identities along those lines. I adopted a major and adopted the rhetoric of everyone else within that major. I became a religious drinker of black coffee and became anti-religious with everything else.
And, of course, college was a time in which I could try and form a sexual identity.
At this point in my life, I was a little bit lonely. My housing plan got derailed and I was left living in a single dorm with nobody I really liked around me. The walls were thin and my neighbors were having loud sex constantly.
I spent an excessive amount of time alone, crammed into a 120 square foot space, bombarded by an eclectic mix of posters pointing to nothing more than bad and indecisive taste, a coffee maker that was always running, and the only living thing in the room besides me: a bamboo plant in an owl vase.
And this bamboo plant in the owl vase will prove more important to the story than one would think.
During this time, I’d developed my first real emotionally and romantically intense relationship with another woman. It was soul crushing. We hooked up on a regular basis, professed the type of excessively romantic and undying love that seems exclusive to naive young people, and then would immediately start talking about boys. She would draw me in completely only to push me away a week later because it was time for her to focus on finding a boyfriend. Which she did, and then broke up with. And the cycle began again. And again. And again.
And then she was gone, for a semester. She was studying abroad about 6000 miles away. In addition, my male hookup partner at that point was also taking a semester off (but not because he was studying abroad. He got caught cheating on a test and was suspended). The two people to whom I dedicated all of my romantic and sexual affections were gone. And I was left in a cramped and empty space wondering what it all meant.
What did it mean to oscillate so easily from a male partner to a female partner and back again? I suppose I should have simply acknowledged a certain level of bi-sexuality and adopted a persona surrounding that. But strangely, such a label did not feel quite right.
I was so enamored with her that I thought maybe I could consider myself gay. But I liked sleeping with him to such an extent that I wondered if I could. So, I embarked on a journey of self-discovery in an attempt to create what I thought I needed most: an identity.
And, it wasn’t even really an identity I was looking for. I was looking for a concrete community. And beyond even that, I was looking for a solidified answer to the ever-looming question of the person that I was and the person I wanted to be.
This is where the bamboo in the owl vase comes in. I saw an ad for a painting project a woman was doing for her senior project. She wanted to paint queer people as a matter of representation. She wanted to paint couples, she wanted to paint gender nonconforming people, and people who adhered to more typical standards of dress. The common link? Their queerness and the fact that she wanted to paint all of her subjects with their pets.
I didn’t have a pet. But I wanted to be painted. I thought perhaps this could give me an answer. If I felt comfortable being painted as queer then maybe I was queer. Maybe such a project, such a complete piece of work, could solidify my own identity and I could work from there to construct it.
**a quick note for you know it all gender theorists: yes, I know that being queer can mean anything that exists outside of a gender or sexual binary. It’s supposed to be all encompassing. And as such, I should have just assumed that identity from the second I even began questioning it. But choosing to adopt a term is an identity all on its own. So respect the process, fools.**
I decided I wanted to find a way to get painted. It would be my golden ticket of self discovery, of community, of a solid identity I could offer people if they ever wondered or asked. “I float” is not an adequate answer to “what’s your sexuality?”
So, beneath the rubble of my tiny bedroom I pulled out my bamboo plant in the owl vase and asker her if, as the only living thing in my charge, I could consider that my pet.
She said yes.
The point of the project was to paint real queer people, authentic queer people that were presented in a variety of ways. So, I thought, how exactly do I dress for that? Since I had never previously presented as queer, did I need to beef up the lesbian look? Or should I tone it down for the sake of variety? What does my own authenticity look like if it’s still forming? And if I didn’t know the answer to that, should she still paint me?
I went with a yes. And it was awkward. I led her into my tiny little dorm room and sat in a hammock (I had a hammock hanging above my bed for decorative purposes) while nervously clutching my bamboo plant in my sweat soaked hands. Somewhere, amongst all the lesbians and their animals, is a painting of me in a hammock with a bright green owl vase containing a single bamboo stick.
But I’ve never seen the painting. After that mildly uncomfortable session of posing in my dorm room with my “pet,” I decided that the action itself was enough. Or, in all actuality, it wasn’t enough. But the realization that no single action or event would make me into one homogenous homosexual entity was enough to change the trajectory of what I felt I needed to do and be and look like to present as truly authentic.
Identity is made up of a variety of narratives, of an abundance of intersections and catalysts and once or twice repressed fears of inadequacy. Is a bamboo plant a pet? If it’s the only living thing around you and you want it to be, I would say it sure as shit can be. Is it a pet if you have a dog that does so many cute tricks that you forget you even own a bamboo plant? No. Because dogs are better. But still, the point is that you can decide. If your pet is a plant one day and an animal the next that should be okay.
Excessively long metaphors about identity should also be okay sometimes when there’s no better way to explain it.